Archive for the 'Ambiguity' Category

Causing a Stir

London 2012The London 2012 official logo was unveiled about a week ago and has caused quite the commotion. Most reactions have been negative, many verging on being violently so. Some are calling for its immediate withdrawal, while others are certifying it as a failure…5 years before it will be able to show any success.

I can see where the detractors are coming from - it is a major departure. However, I feel that there is a great deal of short-sightedness and reactionary thinking going on. Why am I sticking up for this design? Because of this one short paragraph in the brand mission statement that I think everyone dismissed as meaningless fluff:

“The new emblem is dynamic, modern and flexible. It will work with new technology and across traditional and new media networks.”

The Olympics already has a logo - the 5 rings - that is instantly recognizable and crosses all linguistic and cultural barriers. It is fixed, unmatched and untouchable. A steadfast rock. Conversely, the London 2012 logo looks like a frenetic Keith Haring figure (see the pink one on the right, below) - ambiguous, vague, and meant to change and adapt. It is pure attitude and personality.

Keith Haring

I have the feeling that this “icon of the games” is just the tip of the iceberg, and that it’s real value will emerge through the branding system. Given the history and ethos at Wolf-Olins, it is a very real possibility that the logo will take on an entirely different purpose and not behave like a traditional logo at all. Instead I can see it being a highly adaptable, emergent vehicle for the spirit of the games.

My prediction is that this branding system will grow on people and continue to evolve as 2012 draws near.

Chevy and the Internets II

From the NY Times article:

A spokeswoman for Chevrolet, Melisa Tezanos, said the company did not plan to shut down the anti-S.U.V. ads.

“We anticipated that there would be critical submissions,” Ms. Tezanos said. “You do turn over your brand to the public, and we knew that we were going to get some bad with the good. But it’s part of playing in this space.” (emphasis mine)

OMG Ch3vy w4s teh p0wned, but n0w th3y 4re teh r0xx0r!

Seriously. Well-played.

Chevy and the Internets I

This probably won’t last,

and this definitely won’t be around long…

But if they do, and Chevy is able to laugh at itself, then I think the company will end up with a lot more respect and a stronger brand - isn’t it very “American” to be able to roll with the punches?. More likely, they will remove the contest all together and pretend it never happened, which will only make the hole that they are in (at least brand-wise) deeper.

Note to Chevy: You can’t force cosumer-generated brand love.

This phenomenon raises some interesting questions about an open-source branding model with companies that do not already have a solid, devoted following. How much control over your brand do you give to the masses? What happens if the result is not all positive? Are there steps a company has to take before it can go to an open-source model?

Overall, this was a bold move by Chevy. Not a lot of companies would even consider hanging themselves out like that. As I mentioned above, Chevy has the ability to make this potentially negative situation into a brand-building experience where they can reposition themselves to lessen their arrogant and bumbling appearance. However, that probably will not happen, and they will continue to erode their brand with the American audience.

Exposure: Media Food Web

exposure_flow.jpg

If the last graph was the ecosystem map of media, then this is definitely the food web. It’s interesting to note the relationships between the producers and the distributors and how the distinction is becoming less obvious.
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* Happy Halloween!

Exposure: Media Intersections

exposure.jpg

Click for PDF

I made this in an attempt to gain understanding on the changing media-scape that envelops our daily lives. I’m not sure exactly if I’ve accomplished something, but it sure looks pretty…
Continue reading ‘Exposure: Media Intersections’

Is it time for Open Source Branding?

That certainly seems to be the case, if you are going by what marketing/branding blogs have to say…

From the MIT Laboratory for Branding Cultures:
How the Open Source Revolution Impacts Your Brands (October 11, 2005)

From Brand Noise:
Does the Ad Biz Need to Think More Like the the Movie Biz? (October 16, 2005)

The Contribution Economy (July 29, 2005)

Managing Brands in Global Markets: One Size Doesn’t Fit All (May 20, 2005)

Garfield Peers into Ad Industry’s Chaotic Future (April 13, 2005)

From John Hagel:
Restoring the Power of Brands (July 16, 2005)

From AdMap & Scenario DNA:
“Who Owns the Brand?” by Tim Stock & Marie Lena Tupot (July 16, 2005)

From the Museum of Media History:
An interesting take on newsmedia in 2014

From Grant McCracken:
Brands as shadows (November 18, 2004)

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* side note - convergent thoughts
From Emergence Marketing:
Emergence Marketing - why the name? (March 31, 2005) An interesting intersection… insert my own research here (emergent aesthetics + open source branding = new paradigm?)

Open Source Branding

Recently, I’ve been reading a lot more about how marketing and branding are starting to change, and it all seems to coincide with an essay I wrote almost a year ago, so I thought I would post it again and start gathering other examples and writings on what I feel to be a major change in the world of branding.

Open Source Branding and the Reputation Economy
by Glen Carlson (written 11.21.04)

——————————————————————————–

The shift in power from retailer/manufacturer to consumer is starting to happen. More importantly, consumers are beginning to recognize their power. Much of this recognition stems from open sources—the web, publications, social networks & communities—free markets to critique the “free market.”

Companies are starting to feel the effect of this phenomenon, especially in their bottom line. When two or more products are comparable in quality, branding and/or seductiveness that make the customer buy the product, and allow the producer to charge more, right?

That’s the way it used to be—a sharp logo, or a slick ad campaign used to relate directly to profits. This is why branding became a holy grail of sorts for companies. However, with this transition in business/consumer patterns must come a transition in branding.

The branding techniques employed in most cases involve setting a standard for a company’s visual presence—logo, business card, stationery, typeface, etc. This has some inherent problems:

1. If these elements are not visible, they are worthless
Deployment of branding is essential, but how branding is deployed is infinitely more important. Timing, location, material, interactivity—all of these site-specific elements determine the context of what is branded. If you have the most aesthetically pleasing logo in the world, if it is associated in a negative context, people will form a lasting negative opinion it. For example, Jack in the Box is still recovering from the association with a negative opinion. It took about 10 years, a ferocious new ad campaign, and a total restructuring of the way the company does business for them to even survive.

2. It does not allow for rapid change or adaptation
Branding and re-branding initiatives take a long time. Many times the visual standards for every single part of the company have to be scrutinized and either developed or redeveloped. Then there is bureaucracy: Board of Directors, CEO, CFO, CIO, Vice-Presidents, Managers, etc. In many cases all of these people must be satisfied with the branding initiative for it to proceed. Then, when something goes awry in the company’s branding, as it always will, the entire branding process must begin again.

3. It leads to aesthetic elitism
The idea of ownership in branding naturally creates havoc because branding involves emotions and abstract concepts. Does Coca-Cola own the concepts of joy and refreshment? Does McDonald’s own the emotion of happiness? I’d venture to say they think they do. The artistic/creative process is also an intrinsic part of branding, much like music and fine art. And like music and fine art, this leads to similarity and borrowing/inspiration/homage/sampling. Thus, companies end up suing themselves for copyright and trademark infringements. The end result of companies strictly controlling their branding is that the consumer gets left out, and the gap between company and consumer widens.
Continue reading ‘Open Source Branding’

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